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SCULPTURE


Dressing Island (side 1 of 4), 2013
Mixed media sculpture
Materials: used clothing, scrap wood, mirror, laundry basket, silk flowers, tampons, shopping bags, hangers, etc. on plywood structure with hardware and plywood base on casters.
81.25” high x 38.25” wide x 40.75” deep
Materials: used clothing, scrap wood, mirror, laundry basket, silk flowers, tampons, shopping bags, hangers, etc. on plywood structure with hardware and plywood base on casters.
81.25” high x 38.25” wide x 40.75” deep


Dressing Island (side 3 of 4), 2013
Mixed media sculpture
Materials: used clothing, scrap wood, mirror, laundry basket, silk flowers, tampons, shopping bags, hangers, etc. on plywood structure with hardware and plywood base on casters.
81.25” high x 38.25” wide x 40.75” deep
Materials: used clothing, scrap wood, mirror, laundry basket, silk flowers, tampons, shopping bags, hangers, etc. on plywood structure with hardware and plywood base on casters.
81.25” high x 38.25” wide x 40.75” deep


Dressing Island (side 2 of 4), 2013
Mixed media sculpture
Materials: used clothing, scrap wood, mirror, laundry basket, silk flowers, tampons, shopping bags, hangers, etc. on plywood structure with hardware and plywood base on casters.
81.25” high x 38.25” wide x 40.75” deep
Materials: used clothing, scrap wood, mirror, laundry basket, silk flowers, tampons, shopping bags, hangers, etc. on plywood structure with hardware and plywood base on casters.
81.25” high x 38.25” wide x 40.75” deep


The Objects of My Affection (side view), 2013
Mixed media sculpture
Materials: plastic toy animals, vinyl table cover, pillow, softball mitt with softball and ABC gum, little league bat with hand-burned lettering “BALLS”, silk flowers, sneaker, shopping bag, plastic “practice finger”, vinyl floor files, baseball caps, 3 headed teddy bear (hand-sewn), cell phone, earring, ribbon, lock, animated bird cage, scrap wood, hardware, and plywood base on casters
53.5" high x 53” wide x 15.5" deep
Materials: plastic toy animals, vinyl table cover, pillow, softball mitt with softball and ABC gum, little league bat with hand-burned lettering “BALLS”, silk flowers, sneaker, shopping bag, plastic “practice finger”, vinyl floor files, baseball caps, 3 headed teddy bear (hand-sewn), cell phone, earring, ribbon, lock, animated bird cage, scrap wood, hardware, and plywood base on casters
53.5" high x 53” wide x 15.5" deep


The Objects of My Affection, 2013
Mixed media sculpture
Materials: plastic toy animals, vinyl table cover, pillow, softball mitt with softball and ABC gum, little league bat with hand-burned lettering “BALLS”, silk flowers, sneaker, shopping bag, plastic “practice finger”, vinyl floor files, baseball caps, 3 headed teddy bear (hand-sewn), cell phone, earring, ribbon, lock, animated bird cage, scrap wood, hardware, and plywood base on casters
53.5" high x 53” wide x 15.5" deep
Materials: plastic toy animals, vinyl table cover, pillow, softball mitt with softball and ABC gum, little league bat with hand-burned lettering “BALLS”, silk flowers, sneaker, shopping bag, plastic “practice finger”, vinyl floor files, baseball caps, 3 headed teddy bear (hand-sewn), cell phone, earring, ribbon, lock, animated bird cage, scrap wood, hardware, and plywood base on casters
53.5" high x 53” wide x 15.5" deep


Cape Cod, 2013
Mixed media wall-Mounted sculpture
materials: police mirror, fluorescent bulb, file stand, 2 stock photos on paper, seashell, bible, plastic practice fingers, wallet, keys, and perfume on plywood base.
51" high x 26" wide x 8.25" deep
materials: police mirror, fluorescent bulb, file stand, 2 stock photos on paper, seashell, bible, plastic practice fingers, wallet, keys, and perfume on plywood base.
51" high x 26" wide x 8.25" deep


Secretary, 2013
Mixed media sculpture
Materials: filing cabinet, several pairs of shoes, fake plant, panty hose, select-a-month calendar (size large), empty 3 ring binders, management guidebook with no pages, end table mounted to strip carpet and plywood on casters
78” high x 39” wide x 42” deep
Materials: filing cabinet, several pairs of shoes, fake plant, panty hose, select-a-month calendar (size large), empty 3 ring binders, management guidebook with no pages, end table mounted to strip carpet and plywood on casters
78” high x 39” wide x 42” deep


The Collector, 2013
Mixed media sculpture
Materials: scrap materials and unfinished artwork in container made with scrap wood, hardware, Plexiglas, and chalkboard on dolly with casters.
73" high x 33" wide x 16.5" deep
Materials: scrap materials and unfinished artwork in container made with scrap wood, hardware, Plexiglas, and chalkboard on dolly with casters.
73" high x 33" wide x 16.5" deep


Shopping Cart


Form versus Function


Aesthetic Lessons


Clamp Light Mechanics


Balls and Bats


Polish


Fuck-It Bucket


The Museum of More For Less, 2013
Mixed media installation
materials: modified dollar store purchases, thrift store items, scrap wood, art history books, etc.
99.75" high x 135.33" wide x 84.25" deep
"The Museum of More for Less" is an installation that contemplates the creation of aesthetic value in relation to changing economic conditions and new technology. In a post-industrial, post-internet global economy, the artist invariably acts as both creator and consumer. This concept can furthmore be applied to both contemporary and traditional ways of working within art, and to material and immaterial art objects alike. Through an idiosyncratic visual display, comprised of artistically modified consumer objects - such as dollar store knock-offs, thrift shop purchases, and discarded personal items - the Museum of More For Less explores the following questions surrounding artistic production and value: How do originality, authenticity, and accessibility affect an object's perceived beauty and market value? How does history fetishize the art object in both high culture and popular taste? How does cultural capital influence the greater economy - and is it merely a reflective power - or one that has the capacity to institute its own social change?
materials: modified dollar store purchases, thrift store items, scrap wood, art history books, etc.
99.75" high x 135.33" wide x 84.25" deep
"The Museum of More for Less" is an installation that contemplates the creation of aesthetic value in relation to changing economic conditions and new technology. In a post-industrial, post-internet global economy, the artist invariably acts as both creator and consumer. This concept can furthmore be applied to both contemporary and traditional ways of working within art, and to material and immaterial art objects alike. Through an idiosyncratic visual display, comprised of artistically modified consumer objects - such as dollar store knock-offs, thrift shop purchases, and discarded personal items - the Museum of More For Less explores the following questions surrounding artistic production and value: How do originality, authenticity, and accessibility affect an object's perceived beauty and market value? How does history fetishize the art object in both high culture and popular taste? How does cultural capital influence the greater economy - and is it merely a reflective power - or one that has the capacity to institute its own social change?


The Museum of More For Less, 2013 (detail 1)
"The Museum of More for Less" is an installation that contemplates the creation of aesthetic value in relation to changing economic conditions and new technology. In a post-industrial, post-internet global economy, the artist invariably acts as both creator and consumer. This concept can furthmore be applied to both contemporary and traditional ways of working within art, and to material and immaterial art objects alike. Through an idiosyncratic visual display, comprised of artistically modified consumer objects - such as dollar store knock-offs, thrift shop purchases, and discarded personal items - the Museum of More For Less explores the following questions surrounding artistic production and value: How do originality, authenticity, and accessibility affect an object's perceived beauty and market value? How does history fetishize the art object in both high culture and popular taste? How does cultural capital influence the greater economy - and is it merely a reflective power - or one that has the capacity to institute its own social change?


The Museum of More For Less, 2013 (detail 3)
"The Museum of More for Less" is an installation that contemplates the creation of aesthetic value in relation to changing economic conditions and new technology. In a post-industrial, post-internet global economy, the artist invariably acts as both creator and consumer. This concept can furthmore be applied to both contemporary and traditional ways of working within art, and to material and immaterial art objects alike. Through an idiosyncratic visual display, comprised of artistically modified consumer objects - such as dollar store knock-offs, thrift shop purchases, and discarded personal items - the Museum of More For Less explores the following questions surrounding artistic production and value: How do originality, authenticity, and accessibility affect an object's perceived beauty and market value? How does history fetishize the art object in both high culture and popular taste? How does cultural capital influence the greater economy - and is it merely a reflective power - or one that has the capacity to institute its own social change?


The Museum of More For Less, 2013 (detail 4)
"The Museum of More for Less" is an installation that contemplates the creation of aesthetic value in relation to changing economic conditions and new technology. In a post-industrial, post-internet global economy, the artist invariably acts as both creator and consumer. This concept can furthmore be applied to both contemporary and traditional ways of working within art, and to material and immaterial art objects alike. Through an idiosyncratic visual display, comprised of artistically modified consumer objects - such as dollar store knock-offs, thrift shop purchases, and discarded personal items - the Museum of More For Less explores the following questions surrounding artistic production and value: How do originality, authenticity, and accessibility affect an object's perceived beauty and market value? How does history fetishize the art object in both high culture and popular taste? How does cultural capital influence the greater economy - and is it merely a reflective power - or one that has the capacity to institute its own social change?


Unit, 2007
Mixed media with computer parts on
wood
20.5” x 20.5” x 5.5”
wood
20.5” x 20.5” x 5.5”


The Places We Go, 2006
Plexiglas, digital print on acetate, acrylic on
vellum, threaded rod, nuts and threaded rod
20” x 28” x 23”
vellum, threaded rod, nuts and threaded rod
20” x 28” x 23”


Blinded by the Light, 2007
Lightbox: acrylic, Plexiglas, acetate, ink,
fluorescent light, wood, nuts and bolts
1’x 1’ x 5.5”
The title of this artwork makes reference to the song Blinded by the Light, made famous by Manfred Mann's Earth Band in 1976. The lightbox depicts an audience at a popular music concert that is seemingly enraptured by the light coming from the stage. It is as though the aura of the music and the rock band itself have taken spiritual hold of the concert goers, metaphorically making them blinded by the light.
fluorescent light, wood, nuts and bolts
1’x 1’ x 5.5”
The title of this artwork makes reference to the song Blinded by the Light, made famous by Manfred Mann's Earth Band in 1976. The lightbox depicts an audience at a popular music concert that is seemingly enraptured by the light coming from the stage. It is as though the aura of the music and the rock band itself have taken spiritual hold of the concert goers, metaphorically making them blinded by the light.


Boom, 2008
Mixed media with light, acetate, and
Plexiglas
11” x 14” x 3”
Plexiglas
11” x 14” x 3”


Boom (detail), 2008
Mixed media with light, acetate, and
Plexiglas
Plexiglas


12. Hospital Bed, Iris Jaffe.jpg
Anchor 1
SCULPTURE
This group of artwork investigates consumer values, gender roles, and cultural identity through the lens of America's most affordable commodities, including dollar store replicas, thrift shop purchases, and repurposed consumer waste. As individuals within a consumer economy, our identity is both constructed and expressed by the objects we own. In contrast to notions of the unique or individual self, the clothes we wear, the houses we live in, the cars we own - all are products of the greater socio-culture to which we belong. While we may choose to buy certain objects or demonstrate that we are capable of buying them, as consumers our sense of self is partially created by what we own.
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